The artistic Image and characteristics of the Water God in the area along the Ancient Silk Road

Volume 5, Issue 5, October 2021     |     PP. 336-354      |     PDF (578 K)    |     Pub. Date: September 28, 2021
DOI: 10.54647/sociology84660    85 Downloads     4949 Views  

Author(s)

FuLi Meng, Shihezi University, School of Literature and Art, Shihe-zi 832003, Xinjiang, China;No. 225, No. 31 Beishi Road, Shihezi City, Xinjiang, China
Yu Wang, No. 225, No. 31 Beishi Road, Shihezi City, Xinjiang, China

Abstract
With the increasing scarcity of potable freshwater resources around the world, the protection and utilization of water resources in the current ecological civilization society should be more scientific and accurate. It has become the focus of academic research to excavate the wisdom of water use in the daily production and life of ancient society and give full play to its value of the times. This paper attempts to take the image of the water god in folk art as the research object, focusing on the artistic image characteristics of the water god along the ancient Silk Road, under the triple vision of belief, culture, and aesthetics. by using the methods of historical carding, category study and case analysis, this paper mainly combines the three important categories of water god belief places, visual images and folk texts in the oasis settlement in arid areas. This paper makes a point-by-point study of the relationship between this belief proposition and human aesthetic activities and analyzes the artistic characteristics of cross-regional water god worship on the origin and transplantation along the Silk Road. From the aspects of art dissemination, regional resources (humanities and nature), technological exchanges, etc., this paper attempts to reveal the important folk art exchanges in the cultural exchanges between the East and the West under the ancient Silk Road worship art form and spatial distribution, as well as the development value of resources on the current Silk Road cultural belt.

Keywords
The Silk Road，Belief in Water God，Artistic image，Value reuse.

Cite this paper
FuLi Meng, Yu Wang, The artistic Image and characteristics of the Water God in the area along the Ancient Silk Road , SCIREA Journal of Sociology. Volume 5, Issue 5, October 2021 | PP. 336-354. 10.54647/sociology84660

References

[ 1 ] Mao Ning. 2017The discovery and integration of the art ideal of going to the Folk and the folk tradition (1919-1945). China Academy of Fine Arts,
[ 2 ] Liu Yan.A study on the Color of Chinese Folk Art . Shandong University, 2016.
[ 3 ] Wu Yuhang, Li Fulun. Change and cohesion: water beliefs and legends and their social functions in Dali Erhai Basin. Journal of Honghe University, 2021, 19 (02): 58-63.
[ 4 ] Sun Dawei. Complete works of Western Art. 4. Arts and crafts volume. Tianjin people's Art Publishing House, 2016.6
[ 5 ] Xianchenghai. A study on the belief of Longwang Temple in Xinjiang in Qing Dynasty. Chinese Culture Forum, 2019 (02): 12713559.
[ 6 ] Hu Mengfei. A study on the belief in Water Gods along the Beijing-Hangzhou Canal in the Ming and Qing dynasties . Nanjing University, 2015.
[ 7 ] Tang Fei. A study on the Custom characteristics in the murals of the Water Temple in Guangsheng Temple, Shanxi. North China University of Technology, 2016.
[ 8 ] Cai Honghua. A study on the worship of Water God in the pre-Qin, Qin and Han dynasties . Guangxi normal University, 2013
[ 9 ] Yu Ying. Village folklore Folk Art . Central Academy of Fine Arts, 2010.
[ 10 ] Wu Yuhang, Li Fulun. Change and cohesion: water beliefs and legends and their social functions in Dali Erhai Basin . Journal of Honghe University, 2021, 19 (02): 58-63.
[ 11 ] Lu Yanzhao,Chen Meng,Xue Jinli. Water Culture in the Development of National Cultural Tourism under the New Ecological Environment. Journal of Coastal Research,2020,104(sp1).
[ 12 ] 최충익,김철민. Big Data-Based Approach for Regional Water Culture. Journal of Social Science,2019,58(2).
[ 13 ] Yuanlei, Zhang Xinlian, Xue Zhiyang, Jiang Xu. The influence of the change of Minority Water Culture on Water Environment pollution-- A case study of Miaolan Village in Southeast Guizhou Province . Rural economy and Science and Technology, 2021, 32 (07): 30-32.
[ 14 ] Zhang Hongyun. Form, symbol and situation: a study on the interpretation Model of Visual Art based on Art History . Journal of Qiqihar University (philosophy and Social Sciences Edition), 2021 (02): 23-27
[ 15 ] Wang Shengze. The imprint of Silk Road in Xixia Art Image . Xixia Studies, 2017 (04): 50-57.